Absorbed in creating synthetic images, a man observes lives he knows do not exist and places he has never visited. A blackout interrupts his exploration. Between memory and simulation, his search raises a question: what makes an image part of our reality?
01Why this film
Les Explorateurs explores what synthetic images reveal about us: how visual memory works, what we recognise as real and what it means to create from images. Artificial intelligence is part of the film’s narrative itself, as the film ventures into a territory where image and reality begin to blur. A reflection that leads us to question our relationship with reality, truth and identity.
02Between life and imagination
The protagonist recommends journeys to places he has never visited. On his screen, he watches beings he knows do not exist, yet their gestures and routines become familiar. When a blackout interrupts his exploration, he is left facing the distance between his life and his images.
If a synthetic image can awaken a memory or an emotion, where does lived experience end and imagination begin? His search leads to another question: perhaps he is not creating these images, but finding them somewhere they already existed.
03Searching, selecting, deciding
For Pep Lluís Buades, cinematography becomes something like assembling a photobook from archival images: searching, selecting and finding connections. The film’s point of view takes shape through those choices.
Jordi Ferrer places the limit in the story. Each image has to serve what the film wants to convey, without leaving the film on hold for a technical improvement that might always be just around the corner.
04An edit that keeps searching
Carlos Castelló describes editing as an ongoing conversation with the director. New shots can be requested from the editing room, so image-making and editing develop together.
A new suggestion can reopen a sequence that seemed finished. That freedom makes the process a series of shared decisions, including one of the hardest: knowing when to stop.
05Lucas Ortiz Estefanell
Director and multidisciplinary creator Lucas Ortiz Estefanell works across film, documentary and new technological forms. His previous work includes the short film La Fenêtre.
In Les Explorateurs, he investigates the relationship between generated images, cinematic storytelling and the audience’s experience. At the centre of that search is the human perspective that gives images meaning.
06SpecialGuestX
SpecialGuestX is a creative technology and research and development agency exploring new ways to create, communicate and tell stories.
Les Explorateurs was initiated and produced by SpecialGuestX.
Discover SpecialGuestX ↗07Production status
The project is in the final stages of post-production, with completion expected in late 2026.
Reafilma and Kuantika Films are joining the production during this stage. In parallel, the film’s distribution strategy is being developed.
08Director’s statement
Les Explorateurs is not an AI film.
It is a film about artificial intelligence.
It offers a necessary look at the present and at a future that is already unfolding. Refusing to look directly at the images and technologies that now flood our lives — believing that by ignoring them they are not happening — is to actively participate in the destruction of what we call cinema.
Today, more than ever, it is necessary to confront images. To look this beast in the eye — artificial intelligence — with the mixture of wonder and fear we associate with the first audiences watching the Lumière brothers’ train.
This film does not offer definitive answers. It is a starting point. The beginning of a conversation that can no longer be postponed if we want to understand the future that lies ahead — and the place cinema will occupy within it.
Lucas Ortiz Estefanell
09The team
Production companies
- Production
- SpecialGuestX
SpecialGuest
1stAveMachine
Reafilma
Kuantika Films
Lo Salvaje Films
Direction and production
- Screenplay and direction
- Lucas Ortiz Estefanell
- Executive producer
- Miguel V. Espada
- Assistant direction
- Remedios Sola
- Distribution consultant
- Nathan Kellerhals
Image and editing
- Cinematography
- Pep Lluís Buades
Jordi Ferrer - Colour grading
- Jordi Ferrer
- Editing
- Carlos Castelló
Sound
- Sound supervision
- Jorge Alarcón
Miguel Calvo “Maiki” - Dialogue editing and generation
- Danel Illarramendi
- Sound effects editing and mixing
- Miguel Calvo “Maiki”
- Foley
- Samuel Cabezas
Music and recording
- Original music
- Gustavo Gill
- Conducting and arrangements
- Carlos Danés Valenzuela
- Sound engineering: recording and mixing
- Pablo Martín Miguel
- Recording and sound technicians
- Angélica Uceda García
Diego Alejandro Loaiza Flórez - Recording assistant
- Miguel Valriberas de Torres
Performers
- Solo oboe
- Shanoa Pérez Echepare
- Solo clarinet
- Iván Martí Martorell
- Solo horn
- Verónica Nieto Rodríguez
- Mezzo-soprano
- Begoña Gómez
- First violins
- Javi Pastor Marín
Julia Pareja Cubero
Saray Bermúdez Brunet - Second violins
- Daniel Alejandro Sánchez Santander
Paloma Garcia Fernández de Usera
Daniel Corcho Barreno - Violas
- Ramiro Roncero Benavente
Claudia Padrino Bolaños
Carlos David Contreras - Cellos
- Ignacy Krzemiński-Iwan
Carla Guzmán Ferrer
Javier Molina Torralba - Double basses
- Marian Pla Sacristán
Jairo García Miguélez
Graphic design
- Graphic design
- 3TG Studio
- Graphic direction
- Nico Reyners
Distribution materials
- Box lead design
- Alejandro López Bravo
- Box graphic design
- Mirian Galán Horcajuelo
Paloma Iglesias Álvarez - Mini Slides Posters
- Josefina Biscailuz
Making of
- Interviews
- Alejandro T. Tarraf
- Direction and editing
- Tulio Ferreira
- Production
- Francesca Palau
- Sound
- Gustavo Gill
- Colour grading
- Jordi Ferrer
- Sound recording
- Tomás Florez

