Les Explorateurs / In detailBack ×

Absorbed in creating synthetic images, a man observes lives he knows do not exist and places he has never visited. A blackout interrupts his exploration. Between memory and simulation, his search raises a question: what makes an image part of our reality?

01

Why this film

Les Explorateurs explores what synthetic images reveal about us: how visual memory works, what we recognise as real and what it means to create from images. Artificial intelligence is part of the film’s narrative itself, as the film ventures into a territory where image and reality begin to blur. A reflection that leads us to question our relationship with reality, truth and identity.

02

Between life and imagination

The protagonist recommends journeys to places he has never visited. On his screen, he watches beings he knows do not exist, yet their gestures and routines become familiar. When a blackout interrupts his exploration, he is left facing the distance between his life and his images.

If a synthetic image can awaken a memory or an emotion, where does lived experience end and imagination begin? His search leads to another question: perhaps he is not creating these images, but finding them somewhere they already existed.

03

Searching, selecting, deciding

For Pep Lluís Buades, cinematography becomes something like assembling a photobook from archival images: searching, selecting and finding connections. The film’s point of view takes shape through those choices.

Jordi Ferrer places the limit in the story. Each image has to serve what the film wants to convey, without leaving the film on hold for a technical improvement that might always be just around the corner.

04

An edit that keeps searching

Carlos Castelló describes editing as an ongoing conversation with the director. New shots can be requested from the editing room, so image-making and editing develop together.

A new suggestion can reopen a sequence that seemed finished. That freedom makes the process a series of shared decisions, including one of the hardest: knowing when to stop.

05

Lucas Ortiz Estefanell

Director and multidisciplinary creator Lucas Ortiz Estefanell works across film, documentary and new technological forms. His previous work includes the short film La Fenêtre.

In Les Explorateurs, he investigates the relationship between generated images, cinematic storytelling and the audience’s experience. At the centre of that search is the human perspective that gives images meaning.

06

SpecialGuestX

SpecialGuestX is a creative technology and research and development agency exploring new ways to create, communicate and tell stories.

Les Explorateurs was initiated and produced by SpecialGuestX.

Discover SpecialGuestX ↗
07

Production status

The project is in the final stages of post-production, with completion expected in late 2026.

Reafilma and Kuantika Films are joining the production during this stage. In parallel, the film’s distribution strategy is being developed.

08

Director’s statement

Les Explorateurs is not an AI film.
It is a film about artificial intelligence.

It offers a necessary look at the present and at a future that is already unfolding. Refusing to look directly at the images and technologies that now flood our lives — believing that by ignoring them they are not happening — is to actively participate in the destruction of what we call cinema.

Today, more than ever, it is necessary to confront images. To look this beast in the eye — artificial intelligence — with the mixture of wonder and fear we associate with the first audiences watching the Lumière brothers’ train.

This film does not offer definitive answers. It is a starting point. The beginning of a conversation that can no longer be postponed if we want to understand the future that lies ahead — and the place cinema will occupy within it.

Lucas Ortiz Estefanell

09

The team

Production companies

Production
SpecialGuestX
SpecialGuest
1stAveMachine
Reafilma
Kuantika Films
Lo Salvaje Films

Direction and production

Screenplay and direction
Lucas Ortiz Estefanell
Executive producer
Miguel V. Espada
Assistant direction
Remedios Sola
Distribution consultant
Nathan Kellerhals

Image and editing

Cinematography
Pep Lluís Buades
Jordi Ferrer
Colour grading
Jordi Ferrer
Editing
Carlos Castelló

Sound

Sound supervision
Jorge Alarcón
Miguel Calvo “Maiki”
Dialogue editing and generation
Danel Illarramendi
Sound effects editing and mixing
Miguel Calvo “Maiki”
Foley
Samuel Cabezas

Music and recording

Original music
Gustavo Gill
Conducting and arrangements
Carlos Danés Valenzuela
Sound engineering: recording and mixing
Pablo Martín Miguel
Recording and sound technicians
Angélica Uceda García
Diego Alejandro Loaiza Flórez
Recording assistant
Miguel Valriberas de Torres

Performers

Solo oboe
Shanoa Pérez Echepare
Solo clarinet
Iván Martí Martorell
Solo horn
Verónica Nieto Rodríguez
Mezzo-soprano
Begoña Gómez
First violins
Javi Pastor Marín
Julia Pareja Cubero
Saray Bermúdez Brunet
Second violins
Daniel Alejandro Sánchez Santander
Paloma Garcia Fernández de Usera
Daniel Corcho Barreno
Violas
Ramiro Roncero Benavente
Claudia Padrino Bolaños
Carlos David Contreras
Cellos
Ignacy Krzemiński-Iwan
Carla Guzmán Ferrer
Javier Molina Torralba
Double basses
Marian Pla Sacristán
Jairo García Miguélez

Graphic design

Graphic design
3TG Studio
Graphic direction
Nico Reyners

Distribution materials

Box lead design
Alejandro López Bravo
Box graphic design
Mirian Galán Horcajuelo
Paloma Iglesias Álvarez
Mini Slides Posters
Josefina Biscailuz

Making of

Interviews
Alejandro T. Tarraf
Direction and editing
Tulio Ferreira
Production
Francesca Palau
Sound
Gustavo Gill
Colour grading
Jordi Ferrer
Sound recording
Tomás Florez
SpecialGuestX