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Being able to ask for shots
as an editor

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gives you so much freedom to decide

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what you want to do.

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They say a film is shot twice:

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during filming and in the edit.

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Here, those two
things come together.

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It is an organic process throughout,

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with both the director and editor
constantly making suggestions.

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But as I said,
it is a double-edged sword.

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Where does it end?
Where do I draw the line?

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Because it keeps evolving.

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Something that feels finished today,

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“What if I add this tomorrow?”

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It is always open to new ideas.

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But when is it finished?

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I don’t know.
I suppose the director decides.